The best frames enhance without overshadowing what they surround. The olivewood finish with antiqued white gold lip suit the palette and mood of this lovely autumn landscape by F. Weston Hoyt.

Before and after. The gold frame (on the right) that came with this painting on camel bone isn’t bad. But our client brought it to us, confident we could make it better. The artwork is still the star but better supported by a warmer silk mat, and more visible behind Museum Glass.